Showing posts with label oscar-2010. Show all posts
Showing posts with label oscar-2010. Show all posts

Wednesday, October 13, 2010

8 Documentry's Shorts on Oscar’s 2010 Shortlist

Beverly Hills, CA – The Academy of Motion Picture Arts and Sciences today announced that the field of Documentary Short Subject contenders for the 83rd Academy Awards® has been narrowed to eight films, of which three to five will earn Oscar® nominations.

Voters from the Academy’s Documentary Branch viewed this year’s 30 eligible entries and submitted their ballots to PricewaterhouseCoopers for tabulation.

The eight films are listed below in alphabetical order by title, with their production company.

* “Born Sweet,” Cynthia Wade Productions
* “Killing in the Name,” Moxie Firecracker Films
* “Living for 32,” Cuomo Cole Productions
* “One Thousand Pictures: RFK’s Last Journey,” Lichen Films
* “Poster Girl,” Portrayal Films
* “Strangers No More,” Simon & Goodman Picture Company
* “Sun Come Up,” Sun Come Up, LLC
* “The Warriors of Qiugang,” Thomas Lennon Films, Inc.

The 83rd Academy Awards nominations will be announced live on Tuesday, January 25, 2011, at 5:30 a.m. PT in the Academy’s Samuel Goldwyn Theater.

Academy Awards for outstanding film achievements of 2010 will be presented on Sunday, February 27, 2011, at the Kodak Theatre at Hollywood & Highland Center®, and televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 200 countries worldwide.

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Wednesday, August 4, 2010

Tom Sherak Re-elected Academy President

Beverly Hills, CA – Tom Sherak was re-elected president of the Academy of Motion Picture Arts and Sciences tonight (8/3) by the organization’s Board of Governors. This will be his second consecutive one-year term in the office.

Sherak is beginning his eighth year as a governor representing the Executives Branch. He had previously also served as treasurer for the Academy.

In addition, Public Relations Branch governor and past Academy president Sid Ganis was elected first vice president; Writers Branch governor James L. Brooks was elected to one vice president post and Phil Robinson, also from the Writers Branch, was re-elected to a vice president post; Producers Branch governor Hawk Koch was re-elected treasurer; and Actors Branch governor Annette Bening was elected secretary.

These will be the first officer stints for Brooks and Bening.

Sherak, a marketing, distribution and production executive with more than four decades of experience in the motion picture industry, is currently a consultant for Marvel Studios and Relativity Media.

Previously, Sherak was a partner at Revolution Studios where he oversaw the release of more than 30 films including “Black Hawk Down,” “Anger Management,” “Rent,” and “Across the Universe.”

Prior to joining Revolution, Sherak was chairman of Twentieth Century Fox Domestic Film Group and served as senior executive vice president of Fox Filmed Entertainment. Previously, he held various positions at Fox, including senior executive vice president, where he oversaw the distribution and post-production of “Mrs. Doubtfire,” “Speed,” and “Independence Day,” among others.

In 1990 Sherak was named executive vice president of Twentieth Century Fox. Prior to that he was president of domestic distribution and marketing for Fox, where he launched such films as “Romancing the Stone,” “ Aliens,” “Wall Street,” “Die Hard” and “Working Girl.” He began his career in the industry at Paramount Pictures in 1970.

Academy board members serve three-year terms, while officers serve one-year terms, with a maximum of four consecutive terms in any one office.

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Tuesday, August 3, 2010

“Oscar® Noir” Caught Up in “Crossfire”

Beverly Hills, CA – “Crossfire” (1947), a powerful thriller about murder among World War II veterans, will be screened as the next feature in the Academy of Motion Picture Arts and Sciences’ series “Oscar Noir: 1940s Writing Nominees from Hollywood’s Dark Side” on Monday, August 9, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater. The film will be introduced by Oscar-winning screenwriter Brian Helgeland (“L.A. Confidential”), with a post-film discussion with actress Jacqueline White, who plays Mary Mitchell.

Based on the novel The Brick Foxhole by Richard Brooks and directed by Edward Dmytryk from a screenplay by John Paxton, “Crossfire” earned Academy Award® nominations for Best Motion Picture (RKO Radio), Actor in a Supporting Role (Robert Ryan), Actress in a Supporting Role (Gloria Grahame), Directing (Dmytryk) and Writing – Screenplay (Paxton).

At 7 p.m., the Columbia cartoon short “Mother Hubba Hubba Hubbard” (1947) and the “Valley of Death” episode from the 1941 serial “Adventures of Captain Marvel” will be screened as part of the evening’s pre-feature program.

“Oscar Noir” is a summer-long series featuring 15 film noir classics from the 1940s, all of which were nominated in writing categories. Including “Crossfire,” there are four screenings remaining in the series. A complete list of films can be found at http://www.oscars.org/events-exhibitions/events/2010/noir.html.

Tickets to individual evenings are $5 for the general public and $3 for Academy members and students with a valid ID. They may be purchased online at www.oscars.org, by mail, in person at the Academy during regular business hours or, depending on availability, on the night of the screening when the doors open at 6:30 p.m. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600 or visit www.oscars.org.

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Thursday, July 29, 2010

Animation Voice Artists to Speak Up at the Academy

Beverly Hills, CA – The artists who voice Dug the Dog, Minnie Mouse, Natasha Fatale, Rocky the Squirrel and Winnie the Pooh will sound off at “Voices of Character,” the Academy of Motion Picture Arts and Sciences’ 16th installment of the Marc Davis Celebration of Animation, on Thursday, August 19, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

Hosted by animation historian Charles Solomon, the event will feature onstage discussions with such legendary voice artists as Jim Cummings (Winnie the Pooh), Susan Egan (Meg of “Hercules”), June Foray (Natasha Fatale and Rocky the Flying Squirrel), Yuri Lowenthal (Ben Tennyson) and Russi Taylor (Minnie Mouse), along with animation director Bob Peterson (who voices Dug the Dog in “Up”), animator James Baxter and casting executive Rick Dempsey.

While animators have been called “actors with pencils” who create the “illusion of life,” animated characters equally depend on the unique talents of voice artists to breathe life into their visual components. Vocal range and consistency, comic timing, emotional impact, character definition and song styling are just a few of the very specific choices that can make or break a coordinated effort between picture and sound. The panelists will discuss how they approach their work, as well as what they admire in the work of others.

Tickets to “Voices of Character” are $5 for the general public and $3 for Academy members and students with a valid ID. Tickets are available for purchase by mail, at the Academy box office (8949 Wilshire Boulevard, Monday through Friday, 9 a.m. to 5 p.m.), or online at www.oscars.org. Doors open at 6:30 p.m. All seating is unreserved.

The Samuel Goldwyn Theater is located at the 8949 Wilshire Boulevard in Beverly Hills. For more information call (310) 247-3600 or visit www.oscars.org.

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Thursday, July 22, 2010

Academy Ventures Out of This World

Beverly Hills, CA – Can you travel at warp speed? Hear a scream in space? Rocket to the future? The Academy of Motion Picture Arts and Sciences will explore the physical realities of science fiction movies in the three-evening series “Out of This World: The Science of Space Movies” beginning on Thursday, August 5. “Out of This World” will continue on Friday, August 6, with a presentation of Fritz Lang’s 1929 silent classic “Woman in the Moon” and conclude on Saturday, August 7, with screenings of “Project Apollo” (1968) and “For All Mankind” (1989), documentaries that focus on NASA’s Apollo program.

All three evenings are being presented by the Academy’s Science and Technology Council. The following is information for each night:

“Out of This World: The Science of Space Movies”
Thursday, August 5, 7:30 p.m. at the Samuel Goldwyn Theater, Beverly Hills

Hosted by Adam Weiner, the program will examine the physics principles behind many science fiction movies and explore how the fictional world of Hollywood can often provide an effective springboard into investigating real science.

In an interactive presentation, Weiner will lead a physics-based analysis of famous scenes from such movies as “Planet of the Apes” (1968), “Superman” (1978), “Apollo 13” (1995), “Contact” (1997), “Event Horizon” (1997), “October Sky” (1999) and “Star Trek” (2009).

Joining Weiner onstage will be writer Ann Druyan (“Contact”), writer Philip Eisner (“Event Horizon”) and former NASA flight director Gerry Griffin, who served as a technical advisor on “Apollo 13” and “Contact.” The program also will feature the films’ technical teams who will explain how scenes were created, as well as discussion with experts on space travel.

Weiner is the author of Don’t Try This at Home! The Physics of Hollywood Movies. He currently teaches physics at The Bishop’s School, a private high school in La Jolla, California.

“Woman in the Moon” (1929)
Friday, August 6, 7 p.m. at the Linwood Dunn Theater, Hollywood

Considered to be one of the most influential science fiction films of its time, this Lang classic, based on Thea von Harbou’s novel “Frau im Mond,” tells the story of a group of scientists and adventurers who take a rocket trip to the moon. The film stars Klaus Pohl, Willy Fritsch, Fritz Rasp and Gerda Maurus. The film was directed and produced by Lang and written by von Harbou.

This evening also will be hosted by Weiner.

“Project Apollo” (1968) and “For All Mankind” (1989)
Saturday, August 7, 7 p.m. at The Silent Movie Theatre, Los Angeles

In collaboration with The Cinefamily, “Out of This World” continues with screenings of “Project Apollo” and “For All Mankind.”

Using fluid camera work and no narration, experimental filmmaker Ed Emshwiller’s “Project Apollo” was made for the United States Information Agency and gives a fascinating portrait of NASA’s Apollo project a full year before the actual moon landing.

“For All Mankind” is an Academy Award®-nominated documentary chronicling NASA’s Apollo missions from the 1960s and ‘70s. It features original mission footage, and interviews with the astronauts and excerpts from actual mission recordings. The documentary was directed by Al Reinert, and produced by Reinert and Betsy Broyles Breier.

Tickets for “Out of This World: The Science of Space Movies” on August 5 and 6 are $5 for the general public and $3 for Academy members and students with a valid ID. Tickets are available for purchase by mail, at the Academy box office (8949 Wilshire Boulevard, Monday through Friday, 9 a.m. to 5 p.m.), or online at www.oscars.org. Doors open one hour prior to each event. All seating is unreserved.

The Samuel Goldwyn Theater is located at the 8949 Wilshire Boulevard in Beverly Hills.

The Linwood Dunn Theater is located at 1313 Vine Street in Hollywood. For more information call (310) 247-3600 or visit www.oscars.org.

To order tickets for “Project Apollo” and “For All Mankind,” visit www.cinefamily.org.

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Wednesday, July 14, 2010

Sci-Tech Applications for 2010 Academy Awards® Due July 16

Beverly Hills, CA — The submission deadline for the Academy of Motion Picture Arts and Sciences’ 2010 Scientific and Technical Achievement Awards is Friday, July 16. A completed entry form must be submitted to the Academy online by 5 p.m. PT.

In May, the Academy mailed more than 850 “call for entries” letters to individuals and companies around the world specializing in motion picture science and technology.

“The Scientific and Technical Awards Committee casts a wide net when looking for achievements to consider for Academy Award® recognition,” explained Awards Administration Director Rich Miller. “The achievement can be a device or a discovery, a formula or a method, but it must demonstrate a proven record of contributing significant value to the process of making motion pictures.”

The committee, which is composed of film industry engineers, scientists and craftspeople, will evaluate all submissions before making recommendations to the Academy’s Board of Governors for award consideration.

The Academy recognizes scientific and technical achievement on three levels: Technical Achievement Award (a certificate), Scientific and Engineering Award (a plaque) and the Academy Award of Merit (an Oscar® statuette).

The 2010 Scientific and Technical Awards Presentation will be held on Saturday, February 12, 2011, at the Beverly Wilshire hotel in Beverly Hills.

All interested individuals and companies must submit any applications online at http://www.oscars.org/awards/scitech/apply.html.

Further information may be obtained at the website or by contacting Miller’s office at (310) 247-3000, ext. 131, or via e-mail at scitech@oscars.org.

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Tuesday, July 13, 2010

Academy to Celebrate Tech Pioneer Petro Vlahos

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences will pay tribute to the life and career accomplishments of special effects inventor and engineer Petro Vlahos on Thursday, July 29, at 8 p.m. at the Academy’s Linwood Dunn Theater in Hollywood. Presented by the Academy’s Science and Technology Council, the program will be hosted by Academy governor Bill Taylor and feature an onstage conversation with Vlahos, his friends and colleagues.

Considered to be one of the leading scientific and technical innovators in the motion picture and television industries, Vlahos consistently devised solutions for problems that had resisted years of well-funded, concerted effort by his predecessors and peers.

Vlahos has more than 35 wide-ranging patents for camera-crane motor controls, screen brightness meters, safe squib systems, cabling designs and junction boxes, projection screens, optical sound tracks and even sonar. He also created analog and digital hardware and software versions of Ultimatte, the first high-quality electronic compositing system.

As the original patents ran out, many other digital bluescreen and greenscreen compositing systems were derived from Ultimatte and joined it in the marketplace. As a result, every greenscreen or bluescreen shot in innumerable films (including every blockbuster fantasy film of recent times) employs variants of the original Vlahos techniques.

Vlahos’s notable achievements include his work on sodium and color difference traveling matte systems. His version of the sodium system was used on dozens of Disney films, including “Mary Poppins” (1964), “The Love Bug” (1969) and “Bedknobs and Broomsticks” (1971), and was borrowed by Alfred Hitchcock for “The Birds” (1963) and Warren Beatty for “Dick Tracy” (1990). He developed the color difference system (the perfected bluescreen system) for “Ben-Hur” (1959); it was later used in hundreds of films, including those in the first “Star Wars” trilogy (1977–1983) and “Greystoke: The Legend of Tarzan, Lord of the Apes” (1984).

A member of the Academy’s original Motion Picture Research Council, Vlahos has been honored by the Academy many times, starting with a Scientific and Technical Award in 1960 for his contributions to a camera flicker-indicating device. He earned an Oscar® statuette in 1964 for the conception and perfection of techniques for color traveling matte composite cinematography, and another in 1994 for the conception and development of the Ultimatte electronic blue screen compositing process for motion pictures. Vlahos also received an Academy Medal of Commendation in 1992 and the Gordon E. Sawyer Award, an Oscar statuette, in 1993.

Vlahos received an engineering degree from the University of California at Berkeley in 1941. Since then, he has served in the motion picture industry as a design engineer, field engineer, systems engineer and as the chief scientist for the Association of Motion Picture and Television Producers’ Research Center.

Tickets for “A Conversation with Petro Vlahos” are $5 for the general public and $3 for Academy members and students with a valid ID. Tickets are available for purchase by mail, at the Academy box office (8949 Wilshire Boulevard, Monday through Friday, 9 a.m. to 5 p.m.), or online at www.oscars.org. Doors open at 7 p.m. All seating is unreserved.

The Linwood Dunn Theater is located at 1313 Vine Street in Hollywood.

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“Oscar® Noir” Picks “The Blue Dahlia”

Beverly Hills, CA— “The Blue Dahlia” (1946), starring Alan Ladd and Veronica Lake as a veteran accused of murder and the woman who comes to his aid, will be screened as the next feature in the Academy of Motion Picture Arts and Sciences’ series “Oscar Noir: 1940s Writing Nominees from Hollywood’s Dark Side” on Monday, July 19, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater. The film will be introduced by screenwriter Wesley Strick (“True Believer,” “Cape Fear”).

Raymond Chandler penned the film’s original screenplay, which earned him his second Academy Award® nomination.

At 7 p.m. noir cartoon short “Donald’s Crime” (1945), starring Donald Duck, and the episode “Boomerang” from the 1941 serial “Adventures of Captain Marvel” will be screened as part of the evening’s pre-feature program.

“Oscar Noir” is a summer-long series featuring 15 film noir classics from the 1940s, all of which were nominated in writing categories. Including “The Blue Dahlia,” there are seven screenings remaining in the series. A complete list of films can be found at http://www.oscars.org/events-exhibitions/events/2010/noir.html.

Tickets to individual evenings are $5 for the general public and $3 for Academy members and students with a valid ID. They may be purchased online at www.oscars.org, by mail, in person at the Academy during regular business hours or, depending on availability, on the night of the screening when the doors open at 6:30 p.m. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600 or visit www.oscars.org.

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Wednesday, June 30, 2010

Valentino Epic Tangoes onto Academy Screen

Beverly Hills, CA — Touted as a $1,000,000 production in 1921, “The Four Horsemen of the Apocalypse” starring Rudolph Valentino, was among the biggest box office hits and artistically lauded successes of the silent era. The Academy of Motion Picture Arts and Sciences will screen a print restored under the supervision of silent film historians and preservationists Kevin Brownlow and David Gill, with a new orchestral musical score composed by Carl Davis, on Tuesday, July 20, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater in Beverly Hills. The program will be introduced by Brownlow.

The “Valentino mystique” was born in this epic romance directed by visual stylist Rex Ingram. The original press book hailed it as “an epic tale of surging passion sweeping from the wide plains of the Argentine through the fascinating frivolities of pre-war Paris into the blazing turmoil of the German invasion.”

“The Four Horsemen of the Apocalypse” was shortened for re-release in 1926 to mark Valentino’s death, and was seen in that truncated form for decades. When Brownlow, Gill and their team undertook the restoration work in the early 1990s, they were able to return the film to its original length with its original color tints. Most important, they were able to return the famed tango sequence to its smooth romantic splendor.

Brownlow is widely regarded as the preeminent historian of the silent film era. His books include The Parade’s Gone By; The War, the West, and the Wilderness; Hollywood: The Pioneers; Behind the Mask of Innocence; David Lean; and Mary Pickford Rediscovered. His documentaries include “Hollywood,” “Unknown Chaplin,” “Buster Keaton: A Hard Act to Follow,” “Harold Lloyd: The Third Genius” and “D.W. Griffith: Father of Film,” all with Gill; Brownlow also directed “Cecil B. DeMille: American Epic” and “Garbo,” the latter with Christopher Bird. Most famous among Brownlow’s many silent film restoration projects is Abel Gance’s 1927 epic “Napoleon.”

Along with Valentino, the “Horsemen” stars Alice Terry, Alan Hale, Wallace Beery, Jean Hersholt and Josef Swickard. It was produced and directed by Ingram from a screenplay by June Mathis, based on the novel by Vicente Blasco Ibanez.

Tickets to “The Four Horsemen of the Apocalypse” are $5 for the general public and $3 for Academy members and students with a valid ID. Tickets are available for purchase by mail, at the Academy box office (8949 Wilshire Boulevard, Monday through Friday, 9 a.m. to 5 p.m.), or online at www.oscars.org. Doors open at 6:30 p.m. All seating is unreserved.

The Samuel Goldwyn Theater is located at the 8949 Wilshire Boulevard in Beverly Hills. For more information call (310) 247-3600 or visit www.oscars.org.

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Academy Presents Harryhausen Double Feature

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences will present two classic films highlighting the work of stop-motion animation and visual effects pioneer Ray Harryhausen, “20 Million Miles to Earth” and “The 7th Voyage of Sinbad,” on Friday, July 16, at 7:30 p.m. at the Samuel Goldwyn Theater in Beverly Hills. The screening is presented in conjunction with the Academy’s current exhibition “The Fantastical Worlds of Ray Harryhausen,” and there will be special gallery hours from 6 to 7:30 p.m. and after the screening.

Directed by Nathan Juran and produced by Charles H. Schneer, “20 Million Miles to Earth” (1957) was Harryhausen’s final black-and-white film. It features one of his favorite monsters, the Ymir, who survives the crash of a spaceship returning from the first human exploration of Venus, and ultimately wreaks havoc on the city of Rome.

In “The 7th Voyage of Sinbad” (1958), the famed sailor and his fiancée Princess Parisa land on an island in search of provisions while on their way to Baghdad to be married. On the island, they encounter an evil magician, a genie and many Harryhausen creations, including a man-eating Cyclops. Also directed by Juran and produced by Schneer, this action-packed adventure was Harryhausen’s first Dynamation film in color and is considered one of his best.

“The Fantastical Worlds of Ray Harryhausen” is open to the public through August 22 in the Academy’s Fourth Floor Gallery in Beverly Hills. Regular viewing hours are Tuesday through Friday, 10 a.m. to 5 p.m. and weekends, noon to 6 p.m. Admission to the gallery is free.

Tickets for the Harryhausen double feature on July 16 are $5 for the general public and $3 for Academy members and students with a valid ID, and may be purchased online at www.oscars.org, in person at the Academy box office or by mail. Doors open at 6:30 p.m. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. All seating is unreserved. For more information, call (310) 247-3600 or visit www.oscars.org.

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Tuesday, June 29, 2010

“Oscar® Noir” Reflected in “The Dark Mirror”

Beverly Hills, CA — “The Dark Mirror” (1946), in which Olivia de Havilland plays twin sisters suspected of murder, will be screened as the next feature in the Academy of Motion Picture Arts and Sciences’ series “Oscar Noir: 1940s Writing Nominees from Hollywood’s Dark Side” on Monday, July 12, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater. The film will be introduced by screenwriter John August (“Go,” “Big Fish”).

“The Dark Mirror” earned an Oscar® nomination for Writing – Original Motion Picture Story (Vladimir Pozner). Nunnally Johnson wrote the screenplay and Robert Siodmak, who received a nomination the same year for directing “The Killers,” directed the film.

At 7 p.m. the Oscar-nominated UPA animated short “The Tell Tale Heart” (1953) and the episode “Human Target” from the 1941 serial “Adventures of Captain Marvel” will be screened as part of the evening’s pre-feature program.

“Oscar Noir” is a summer-long series featuring 15 film noir classics from the 1940s, all of which were nominated in writing categories. Including “The Dark Mirror,” there are eight screenings remaining in the series. A complete list of films can be found at http://www.oscars.org/events-exhibitions/events/2010/noir.html.

Tickets to individual evenings are $5 for the general public and $3 for Academy members and students with a valid ID. They may be purchased online at www.oscars.org, by mail, in person at the Academy during regular business hours or, depending on availability, on the night of the screening when the doors open at 6:30 p.m. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600 or visit www.oscars.org.

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Friday, June 25, 2010

Academy Invites 135 to Membership

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences is extending invitations to join the organization to 135 artists and executives who have distinguished themselves by their contributions to theatrical motion pictures. Those who accept the invitation will be the only additions in 2010 to the Academy’s roster of voting members.

“The work of these individuals has been appreciated by moviegoers all around the world,” said Academy President Tom Sherak. “The Academy is proud to invite each and every one of them.”

The Academy’s membership policies would have allowed a maximum of 180 new members in 2010, but as in other recent years, the several branch committees endorsed fewer candidates than were proposed to them. Voting membership in the organization has now held steady at just under 6,000 members since 2003.

New members will be welcomed into the Academy at an invitation-only reception at the Academy’s Fairbanks Center for Motion Picture Study in Beverly Hills in September.

The 2010 invitees are:

Actors
Tobin Bell – “Saw,” “The Firm”
Vera Farmiga – “Up in the Air,” “The Departed”
Miguel Ferrer – “Traffic,” “RoboCop”
James Gandolfini – “In the Loop,” “Get Shorty”
Anna Kendrick – “Up in the Air,” “Twilight”
Mo’Nique – “Precious: Based on the Novel ‘Push’ by Sapphire,” “Phat Girlz”
Carey Mulligan – “An Education,” “Public Enemies”
Jeremy Renner – “The Hurt Locker,” “28 Weeks Later"
Ryan Reynolds – “The Proposal,” “X-Men Origins: Wolverine”
LaTanya Richardson Jackson – “Mother and Child,” “Losing Isaiah”
Peter Riegert – “Traffic,” “Crossing Delancey”
Sam Robards – “A.I. Artificial Intelligence,” “American Beauty”
Saoirse Ronan – “The Lovely Bones,” “Atonement”
Zoe Saldana – “Avatar,” “Star Trek”
Adam Sandler – “Funny People,” “Punch-Drunk Love”
Peter Sarsgaard – “An Education,” "Boys Don’t Cry"
Gabourey Sidibe – “Precious: Based on the Novel ‘Push’ by Sapphire”
Shaun Toub – “Iron Man,” “The Kite Runner”
Christoph Waltz – “Inglourious Basterds”
George Wyner – “A Serious Man,” “American Pie 2”

Animators
Ken Bielenberg – “Monsters vs Aliens,” “Shrek”
Peter de Seve – “Ice Age Dawn of the Dinosaurs,” “Ratatouille”
Steve Hickner – “Bee Movie,” "The Prince of Egypt"
Angus MacLane – “Toy Story 3,” “WALL-E”
Darragh O’Connell – “Granny O’Grimm’s Sleeping Beauty,” “Give Up Yer Aul Sins”
Simon Otto – “How to Train Your Dragon,” “Kung Fu Panda”
Bob Pauley – “Toy Story 3,” “Monsters, Inc.”
Willem Thijssen – “The Aroma of Tea,” “A Greek Tragedy"

Art Directors
Kim Sinclair – “Avatar,” “Cast Away”
Dave Warren – “Sweeney Todd The Demon Barber of Fleet Street,” “Bridget Jones’s Diary”

At-Large
Darcy Antonellis
John Lowry

Casting Directors
Laura Rosenthal – “The Messenger,” “I’m Not There”

Cinematographers
Barry Ackroyd – “The Hurt Locker,” “United 93”
Christian Berger – “The White Ribbon,” “Cache”
Hagen Bogdanski – “The Young Victoria,” “The Lives of Others”
Shane Hurlbut – “Terminator Salvation,” “We Are Marshall”
Tom Hurwitz – “Valentino The Last Emperor,” “Ghosts of Abu Ghraib”
Dan Mindel – “Star Trek,” “Mission: Impossible III”
Tobias Schliessler – “The Taking of Pelham 1 2 3,” “Hancock”
Stephen Windon – “The Fast and the Furious: Tokyo Drift,” “House of Wax”
Robert Yeoman – “Get Him to the Greek,” “The Squid and the Whale”

Costume Designers
Catherine Leterrier – “Coco before Chanel,” “Avenue Montaigne”
Janet Patterson – “Bright Star,” “The Piano”

Directors
Jacques Audiard – “A Prophet,” “The Beat That My Heart Skipped”
Juan Jose Campanella – “The Secret in Their Eyes,” "Son of the Bride"
Lee Daniels – “Precious: Based on the Novel ‘Push’ by Sapphire,” “Shadowboxer”
Claudia Llosa – “The Milk of Sorrow,” “Madeinusa”
Lone Scherfig – “An Education,” “Italian for Beginners”
Adam Shankman – “Bedtime Stories,” “Hairspray”

Documentary
Nancy Baker – “Rehearsing a Dream,” “Born into Brothels”
Rick Goldsmith – “The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers,” “Tell the Truth and Run: George Seldes and the American Press”
Davis Guggenheim – “It Might Get Loud,” “An Inconvenient Truth”
Tia Lessin – “Capitalism: A Love Story,” “Trouble the Water”
Cara Mertes – “The Betrayal,” “My Country, My Country”
Frazer Pennebaker – “Al Franken: God Spoke,” “The War Room”
Julia Reichert – “The Last Truck: Closing of a GM Plant,” “Seeing Red”
Morgan Spurlock – “Where in the World Is Osama Bin Laden?,” “Super Size Me”

Executives
Christopher W. Aronson
Jim Berk
Philippe Dauman
Sheila DeLoach
Donald Peter Granger
Nathan Kahane
Andrew Karpen
Ryan Kavanaugh
David Kosse
David Andrew Spitz
Emma Watts

Film Editors
Robert Frazen – “Synecdoche, New York,” “Smart People”
Dana E. Glauberman – “Up in the Air,” “Thank You for Smoking”
Joe Klotz – “Precious: Based on the Novel ‘Push’ by Sapphire,” “Grace Is Gone”
Bob Murawski – “The Hurt Locker,” “Spider-Man”
John Refoua – “Avatar,” “Reno 911!: Miami”

Live Action Short Films
Joachim Back – “The New Tenants”
Gregg Helvey – “Kavi,” “The Knife Grinder’s Tale”

Makeup Artists and Hairstylists
Kris Evans – “X-Men The Last Stand," “Pirates of the Caribbean: The Curse of the Black Pearl”
Jane Galli – “Knight and Day,” “3:10 to Yuma”
Mindy Hall – “Star Trek,” “World Trade Center”
Joel Harlow – “Star Trek,” “Pirates of the Caribbean: At World’s End”
Jenny Shircore – “The Young Victoria,” “Elizabeth”

Music
Christophe Beck – “The Hangover,” “Bring It On”
Bono – “Gangs of New York,” “In the Name of the Father”
T Bone Burnett – “Crazy Heart,” “Cold Mountain”
The Edge – “Gangs of New York,” "GoldenEye"
Brian Tyler – “Fast & Furious,” “Aliens vs. Predator Requiem”

Producers
Stephanie Allain – “Black Snake Moan,” “Hustle & Flow”
Gregory Jacobs – “The Informant!,” “The Good German”
Jon Landau – “Avatar,” “Titanic”
Marc Turtletaub – “Away We Go,” “Little Miss Sunshine”
Glenn Williamson – “Sunshine Cleaning,” “Hollywoodland”

Production Designers
Kirk M. Pertruccelli – “The Incredible Hulk,” “The Patriot”
Edward S. Verreaux – “G.I. Joe: The Rise of Cobra,” “Jurassic Park III”

Public Relations
Dwight Caines
Suzanne M. Cole
Tommy Gargotta
Sophie Gluck
Josh Greenstein
Pamela Levine
Wendy Lightbourn
Michele Robertson
Tony Sella

Set Decorators
Maggie Gray – “The Young Victoria,” “Ella Enchanted”
Douglas A. Mowat – “Role Models,” “The Sixth Sense”
Caroline Smith – “The Imaginarium of Doctor Parnassus,” “Match Point”

Sound
Frank Eulner – “Iron Man 2,” “Hellboy”
Adam Jenkins – “I Love You, Man,” “Crash”
Tony Lamberti – "Inglourious Basterds," “Sideways”
Dennis Leonard – “Disney’s A Christmas Carol,” “The Polar Express”
Tom Myers – “Up,” “WALL-E”
Paul N.J. Ottosson – “The Hurt Locker,” “Spider-Man 3”
Resul Pookutty – “Ghajini,” “Slumdog Millionaire”
Gary A. Rizzo – “How to Train Your Dragon,” “The Dark Knight”
Michael Silvers – “Up,” “Ratatouille”
Gwendolyn Yates Whittle – “Avatar,” "The Simpsons Movie"

Visual Effects
Matt Aitken – “District 9,” “The Lord of the Rings: The Fellowship of the Ring”
Karen Ansel – “Angels & Demons,” “Men in Black II”
Richard Baneham – “Avatar,” “The Lord of the Rings: The Two Towers”
Eric Barba – “The Curious Case of Benjamin Button,” “Zodiac”
Paul Debevec – “Avatar,” “King Kong”
Russell Earl – “Star Trek,” “Transformers”
Steve Galich – “Date Night,” "Transformers"
Andrew R. Jones – “Avatar,” “I, Robot”
Dan Kaufman – “District 9,” “Ocean’s Thirteen”
Derek Spears – “The Mummy: Tomb of the Dragon Emperor,” “Superman Returns”
Steve Sullivan – “Avatar,” “Star Wars: Episode III Revenge of the Sith”
Michael J. Wassel – “Hellboy II: The Golden Army,” “The Bourne Identity”

Writers
Neill Blomkamp – “District 9”
Mark Boal – “The Hurt Locker,” “In the Valley of Elah”
Geoffrey Fletcher – “Precious: Based on the Novel ‘Push’ by Sapphire”
Nick Hornby – “An Education,” “Fever Pitch”
Alex Kurtzman – “Star Trek,” “Mission: Impossible III”
Tom McCarthy – “Up,” “The Visitor”
Roberto Orci – “Star Trek,” “Mission: Impossible III”
Terri Tatchell – “District 9”

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Tuesday, June 22, 2010

Love is Strange at “Oscar® Noir”

Beverly Hills, CA — “The Strange Love of Martha Ivers” (1946), in which Kirk Douglas made his film debut, will be screened as the next feature in the Academy of Motion Picture Arts and Sciences’ series “Oscar Noir: 1940s Writing Nominees from Hollywood’s Dark Side” on Monday, June 28, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater. The film will be introduced by screenwriter Robin Swicord (“Little Women,” “Memoirs of a Geisha”).

Robert Rossen wrote the screenplay for this romantic thriller starring Barbara Stanwyck in the title role of a woman made wealthy by a murder she committed in her youth. The film earned an Oscar® nomination for Writing – Original Motion Picture Story (Jack Patrick).

At 7 p.m. the UPA noir cartoon short “Rooty Toot Toot” (1951) and the episode “Lens of Death” from the 1941 serial “Adventures of Captain Marvel” will be screened as part of the evening’s pre-feature program.

“Oscar Noir” is a summer-long series featuring 15 film noir classics from the 1940s, all of which were nominated in writing categories. Including “The Strange Love of Martha Ivers,” there are nine screenings remaining in the series. A complete list of films can be found at http://www.oscars.org/events-exhibitions/events/2010/noir.html.

Tickets to individual evenings are $5 for the general public and $3 for Academy members and students with a valid ID. They may be purchased online at www.oscars.org, by mail, in person at the Academy during regular business hours or, depending on availability, on the night of the screening when the doors open at 6:30 p.m. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600 or visit www.oscars.org.

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Tuesday, June 15, 2010

“The Killers” Nabbed at “Oscar® Noir”

Beverly Hills, CA — “The Killers” (1945), in which Burt Lancaster and Ava Gardner gave breakthrough performances, will be screened as the next feature in the Academy of Motion Picture Arts and Sciences’ series “Oscar Noir: 1940s Writing Nominees from Hollywood’s Dark Side” on Monday, June 21, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater. The film will be introduced by screenwriter Billy Ray (“Shattered Glass,” “State of Play”).

Screenwriter Anthony Veiller expanded Ernest Hemingway’s classic short story about a former boxer who makes no effort to escape from the men hired to kill him into a gripping feature-length drama that earned four Academy Award® nominations, including Directing (Robert Siodmak), Film Editing (Arthur Hilton), Music – Music Score of a Dramatic or Comedy Picture (Miklos Rozsa) and Writing – Screenplay (Veiller).

At 7 p.m. “Who Killed Who?” (1943), an MGM Tex Avery cartoon, and the episode “The Scorpion Strikes” from the 1941 serial “Adventures of Captain Marvel” will be screened as part of the evening’s pre-feature program.

“Oscar Noir” is a summer-long series featuring 15 film noir classics from the 1940s, all of which were nominated in writing categories. Including “The Killers,” there are 10 screenings remaining in the series. A complete list of films can be found at http://www.oscars.org/events-exhibitions/events/2010/noir.html.

“The Killers” is sold out. A standby line will form on the day of the event, and standby numbers will be assigned at approximately 5:30 p.m. Any available tickets will be distributed shortly before the program begins.

Ticketholders should arrive at least 15 minutes before the start of the feature to ensure a seat in the theater. All tickets to individual evenings in the series are $5 for the general public and $3 for Academy members and students with a valid ID. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600 or visit www.oscars.org.

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Sunday, June 13, 2010

2010 Student Academy Award® Winners Honored in Beverly Hills

Beverly Hills, CA — Thirteen students from 11 colleges and universities were honored tonight (June 12) as winners in the Academy of Motion Picture Arts and Sciences’ 37th Annual Student Academy Awards® competition. For several days, they had participated in a slate of industry-related activities and social events culminating in the awards ceremony, which featured as presenters Oscar®-nominated actor Jeremy Renner, Oscar-nominated animator Henry Selick and director Penelope Spheeris at the Academy’s Samuel Goldwyn Theater.

The 2010 winners are:

Alternative*

* Gold Medal: “Surface: Film from Below,” Varathit Uthaisri, Parsons The New School for Design, New York
* Silver Medal: “Multiply,” Emily Henricks, University of Southern California

* Only two medals were awarded in the Alternative category.

Animation

* Gold Medal: “Departure of Love,” Jennifer Bors, Ringling College of Art and Design, Florida
* Silver Medal: “Dried Up,” Isaiah Powers and Jeremy Casper, Kansas City Art Institute, Missouri
* Bronze Medal: “Lifeline,” Andres Salaff, California Institute of the Arts

Documentary

* Gold Medal: “Yizkor (Remembrance),” Ruth Fertig, University of Texas at Austin
* Silver Medal: “Rediscovering Pape,” Maria Royo, City College of New York
* Bronze Medal: “Dreams Awake (Suena Despierto),” Kevin Gordon and Rebekah Meredith, Stanford University, California

Narrative

* Gold Medal: “God of Love,” Luke Matheny, New York University
* Silver Medal: “Down in Number 5,” Kim Spurlock, New York University
* Bronze Medal: “The Lunch Box,” Lubomir Kocka, Savannah College of Art and Design, Georgia

Honorary Foreign Film

* “The Confession,” Tanel Toom, The National Film and Television School, Beaconsfield, United Kingdom

While U.S. winners knew they would each receive an award, their placement – Gold, Silver or Bronze – was not revealed until the ceremony. Gold Medal award winners received cash grants of $5,000, Silver Medal award winners received $3,000 and Bronze Medal award winners received $2,000. The Honorary Foreign Film winner received a $1,000 cash grant.

The U.S. students first competed in one of three regional competitions. Each region was permitted to send as many as three finalist films in each of four award categories. Academy members then screened the films and voted to select the winners.

“The Confession,” the Honorary Foreign Film winner, was selected from a pool of 61 entries representing 36 countries.

The Academy established the Student Academy Awards in 1972 to support and encourage excellence in filmmaking at the collegiate level. Past Student Academy Award winners have gone on to receive 40 Oscar nominations and have won or shared seven awards. At the 82nd Academy Awards earlier this year, Pete Docter, who earned a Student Academy Award in 1992, took home the Oscar for Animated Feature Film for “Up.” He also earned a nomination for the original screenplay for the film. Additionally, Gregg Helvey, a 2009 Student Academy Award winner, received his first Oscar nomination in the Live Action Short Film category for “Kavi.”

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Thursday, June 10, 2010

Academy’s Tech Council Selects 2010 Interns

Beverly Hills, CA — The Science and Technology Council of the Academy of Motion Picture Arts and Sciences has selected five students to participate in a summer internship program designed to provide real-world experience to students interested in careers in motion picture computer graphics, technology and research.

Now in its fourth year, the program provides eight-to-twelve week internships that give students hands-on experience with advanced motion picture technologies. Industrial Light & Magic, Pixar Animation Studios, Rhythm & Hues Studios, Technicolor and the Tech Council itself will serve as internship hosts; the Council will provide a stipend of $4,000 to each student.

The 2010 Science and Technology Council summer interns and their hosts are:

Jessica Feuston, Georgia Institute of Technology – Technicolor
Karthik Raveendran, Georgia Institute of Technology – Rhythm & Hues Studios
Jie Tan, Georgia Institute of Technology – Pixar Animation Studios
Lisa Webster, San Jose State University – Science and Technology Council
Jihun Yu, New York University – Industrial Light & Magic

“The Academy is committed to developing the next generation of innovators in science and technology for the motion picture art form,” said Elizabeth Cohen, the Council’s internship program chair. “These mentor-guided internships provide valuable hands-on, career-related experience while exposing students to the practical application of technology and expanding their academic education.”

Established in 2003 by the Academy’s Board of Governors, the Science and Technology Council provides a forum for the exchange of information, promotes cooperation among diverse technological interests within the industry, sponsors publications, fosters educational activities and preserves the history of science and technology of motion pictures.

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Wednesday, June 9, 2010

Academy Does 3D Times Three

Beverly Hills, CA — The Academy of Motion Picture Arts and Sciences will devote three Tuesday evenings – June 22 and 29, and July 6 – to exploring 3D techniques and their rapidly expanding use in filmmaking in “Getting Perspective III: Exploring the Craft of 3D Movie Technology.” The series will feature conversations with filmmakers, 3D demonstrations and movie clips, culminating with a screening of “U2 3D,” the Irish rock band’s 2008 concert movie.

The following are descriptions of each night’s focus:

Virtual 3D (Animation/Motion-Capture/Conversion)
Tuesday, June 22, 8 p.m. at the Linwood Dunn Theater, Hollywood
This evening will showcase movies in which the 3D experience is created using digital techniques. The program will highlight CG key-frame animation, performance capture and 2D-to-3D conversion. These techniques will be explored in onstage conversations with director Hoyt Yeatman (“G-Force”), visual effects producer Matt DeJohn (“G-Force”) and stereoscopic supervisor Phil McNally (“Monsters vs Aliens”).

Photographed 3D (Live Action/Stop-Motion)
Tuesday, June 29, 8 p.m. at the Linwood Dunn Theater, Hollywood
Live-action narrative, documentary and stop-motion animated techniques will be examined as well as the post-production tools used to finish a modern 3D movie. Science and Technology Council member Rob Hummel, director Eric Brevig (“Journey to the Center of the Earth”), director of photography Pete Kozachik (“Coraline”) and stereoscopic engineer Pierre (Pete) Routhier (“X Games 3D: The Movie”) will discuss the challenges of working in 3D and the future of live-action stereoscopic filmmaking.

“U2 3D” (2008)
Tuesday, July 6, 8 p.m. at the Samuel Goldwyn Theater, Beverly Hills
The final night of the series will feature a screening of the concert movie “U2 3D.” The digital live-action 3D motion picture captures the band in Latin America during its “Vertigo” tour in 2006. The documentary’s director, Catherine Owens, will be joined by director of 3D photography Peter Anderson and editor Olivier Wicki to discuss the movie.

Presented by the Academy’s Science and Technology Council, “Getting Perspective III” will be hosted by Academy member Rob Engle, senior stereographer and 3D visual effects supervisor at Sony Imageworks. He has served as stereographer on and supervised the 3D releases of numerous movies, including “The Polar Express” (2004), “Beowulf” (2007), “G-Force” (2009) and the Academy Award®-nominated animated feature “Monster House” (2006).

Tickets for each night of “Getting Perspective III: Exploring the Craft of 3D Movie Technology” are $5 for the general public and $3 for Academy members and students with a valid ID. Tickets are available for purchase by mail, at the Academy box office (8949 Wilshire Boulevard, Monday through Friday, 9 a.m. to 5 p.m.), or online at www.oscars.org. Doors open one hour prior to each event. All seating is unreserved.

The Linwood Dunn Theater is located at 1313 Vine Street in Hollywood.

The Samuel Goldwyn Theater is located at the 8949 Wilshire Boulevard in Beverly Hills.

For more information call (310) 247-3600 or visit www.oscars.org.

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Mildred Pierce Raises Her Eyebrows at Oscar® Noir

Beverly Hills, CA — “Mildred Pierce” (1945), for which Joan Crawford earned her only Academy Award®, will be screened as the next feature in the Academy of Motion Picture Arts and Sciences’ series “Oscar Noir: 1940s Writing Nominees from Hollywood’s Dark Side” on Monday, June 14, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater. The film will be introduced by screenwriter Callie Khouri (“Thelma & Louise,” “Divine Secrets of the Ya-Ya Sisterhood”).

Crawford stars as a businesswoman coping with a conniving daughter and an unfaithful lover in this film adaptation of the James M. Cain novel. “Mildred Pierce” earned a total of six Academy Award nominations including Best Motion Picture (Warner Bros.), Actress (Crawford), Actress in a Supporting Role (Eve Arden), Actress in a Supporting Role (Ann Blyth), Black-and-White Cinematography (Ernest Haller) and Writing (Ranald MacDougall). Blyth, who portrays Veda Pierce in the film, will be in attendance at the screening.

At 7 p.m. the noir cartoon short “The Super Snooper” (1952), starring Daffy Duck, and the episode “Death Takes the Wheel” from the 1941 serial “Adventures of Captain Marvel” will be screened as part of the evening’s pre-feature program.

“Oscar Noir” is a summer-long series featuring 15 film noir classics from the 1940s, all of which were nominated in writing categories. Including “Mildred Pierce,” there are 11 screenings remaining in the series. A complete list of films can be found at http://www.oscars.org/events-exhibitions/events/2010/noir.html.

Tickets to individual evenings are $5 for the general public and $3 for Academy members and students with a valid ID. They may be purchased online at www.oscars.org, by mail, in person at the Academy during regular business hours or, depending on availability, on the night of the screening when the doors open at 6:30 p.m. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600 or visit www.oscars.org.

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Monday, June 7, 2010

Henry Selick and Penelope Spheeris to Present at 2010 Student Academy Awards®

Beverly Hills, CA — Oscar®-nominated animator Henry Selick and director Penelope Spheeris will present at the Academy of Motion Picture Arts and Sciences’ 37th Annual Student Academy Awards ceremony on Saturday, June 12, at the Academy’s Samuel Goldwyn Theater. The awards ceremony is the culmination of a week of industry-related activities and social events that the Academy will host for the 13 student filmmakers from across the United States and one from the United Kingdom who have been selected as winners this year.

Selick received his first Oscar nomination this past year for the animated feature “Coraline.” He is known as a stop-motion animation producer-director; his credits include “Monkeybone,” “James and the Giant Peach” and “The Nightmare Before Christmas.”

Spheeris just completed production on “Balls to the Wall,” due out in 2011. She got her start as a music video producer in the 1970s, before moving into documentaries and feature films. Her feature credits include “Black Sheep” and “Wayne’s World.” Spheeris’s documentaries include “We Sold Our Souls for Rock ‘n Roll” and “The Decline of Western Civilization” parts I, II and III.

Selick and Spheeris join Oscar-nominated actor Jeremy Renner as presenters.

While U.S. winners know they will each receive an award, their placement – Gold, Silver or Bronze – will not be revealed until the June 12 ceremony. Gold Medal award winners receive cash grants of $5,000, Silver Medal award winners receive $3,000 and Bronze Medal award winners receive $2,000. The Honorary Foreign Film winner receives a $1,000 cash grant.

The U.S. students first competed in one of three regional competitions. Each region was permitted to send as many as three finalist films in each of four award categories. Academy members then screened the films and voted to select the winners.

The U.S. winners represent 10 U.S. colleges and universities, including for the first time the Kansas City Art Institute (Missouri) and Parsons The New School for Design (New York). The Honorary Foreign Film winner was selected from a record pool of 61 entries representing 36 countries. A complete list of this year’s winners can be found at http://www.oscars.org/awards/saa/winners/2010.html.

The Academy established the Student Academy Awards in 1972 to support and encourage excellence in filmmaking at the collegiate level. Past Student Academy Award winners have gone on to receive 40 Oscar nominations and have won or shared seven awards. At the 82nd Academy Awards earlier this year, Pete Docter, who earned a Student Academy Award in 1992, took home the Oscar for Animated Feature Film for “Up.” He also earned a nomination for the original screenplay for the film. Additionally, Gregg Helvey, a 2009 Student Academy Award winner, received his first Oscar nomination in the Live Action Short Film category for “Kavi.”

The 37th Annual Student Academy Awards ceremony on June 12 is free and open to the public, but advance tickets are required. Tickets may be obtained online at www.oscars.org, in person at the Academy box office or by mail. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600.

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Tuesday, June 1, 2010

Oscar® Noir” Offers “Double Indemnity

Beverly Hills, CA — Double Indemnity” (1944), in which an alluring housewife and her insurance salesman love conspire to commit a cold-blooded murder, will be screened as the next feature in the Academy of Motion Picture Arts and Sciences’ series “Oscar Noir: 1940s Writing Nominees from Hollywood’s Dark Side” on Monday, June 7, at 7:30 p.m. at the Academy’s Samuel Goldwyn Theater. The film will be introduced by screenwriter Nicholas Meyer (“Time after Time,” “The Human Stain”).

Director Billy Wilder and co-screenwriter Raymond Chandler turned James M. Cain’s novel into one of the all-time classic romantic noirs, teaming Fred MacMurray with unforgettable femme fatale Barbara Stanwyck. “Double Indemnity” earned seven Academy Award® nominations: Best Motion Picture (Paramount), Best Actress (Stanwyck), Black-and-White Cinematography (John Seitz), Directing (Wilder), Music Score of a Dramatic or Comedy Picture (Miklos Rozsa), Sound Recording (Paramount Studio Sound Department, Loren L. Ryder, sound director) and Writing (Wilder, Chandler). MacMurray’s daughter, Laurie, will be in attendance at the screening.

At 7 p.m. the noir cartoon short “Trouble Indemnity” (1950), featuring Mr. Magoo, and the episode “Time Bomb” from the 1941 serial “Adventures of Captain Marvel” will be screened as part of the evening’s pre-feature program.

“Oscar Noir” is a summer-long series featuring 15 film noir classics from the 1940s, all of which were nominated in writing categories. Including “Double Indemnity,” there are 12 screenings remaining in the series. A complete list of films can be found at http://www.oscars.org/events-exhibitions/events/2010/noir.html.

Tickets to individual evenings, if still available, are $5 for the general public and $3 for Academy members and students with a valid ID. They may be purchased online at www.oscars.org, by mail, in person at the Academy during regular business hours or, depending on availability, on the night of the screening when the doors open at 6:30 p.m. The Samuel Goldwyn Theater is located at 8949 Wilshire Boulevard in Beverly Hills. For more information, call (310) 247-3600 or visit www.oscars.org.

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